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Both tracks released so far by the group Ashnymph are hard to categorise: their personal label of their work as “subconscioussion” provides few hints. Debut Saltspreader combined a pounding industrial rhythm – bandmember Will Wiffen has occasionally been spotted on stage wearing a T-shirt that displays the emblem of the trailblazing band Godflesh – with vintage-sounding synthesisers and a guitar riff that subtly echoes the enduring garage rock anthem I Wanna Be Your Dog, before transforming into a wall of disquieting noise. The planned result, the trio have suggested, was to suggest road trips, “the ceaseless flow of vehicles 24-hours a day over vast spans … nighttime orange glows”.

The subsequent track, Mr Invisible, occupies a space between dance music and left-field alt-rock. For one thing, the track’s rhythm, strata of mesmerizing synths, and singing that comes either trippily blurred or mesmerizingly repeated in a way that recalls the classic Underworld album era all indicate the dance space. On the other, its intense performance-style shifts, near-anarchic character and fuzz – “getting that crisp distortion is a personal mission,” Wiffen noted – mark it out as very much the work of a band rather than a solitary home producer. They’ve been playing around the self-made music community of south London for less than a year, “any venue that cranks the volume”.

But each is thrilling and unique – mutually and anything else around at the moment – to prompt questions about Ashnymph's upcoming moves. Regardless of the form, on the evidence of Saltspreader and Mr Invisible, it’s sure to be engaging.

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